July 21, 2004Cosanti Foundation long time staff member Roger Tomalty is in Venice, Italy, to teach a Silt Cast Workshop at the IUAV School of Architecture. [Photo: Antonio Fragiacomo & text: Matteo Di Michele]Cosanti Foundation long time staff member Roger Tomalty is in Venice, Italy, to teach a Silt Cast Workshop at the IUAV School of Architecture. [Photo: Antonio Fragiacomo & text: Matteo Di Michele] [left photo] The IUAV School of Architecture in Venice is one of the most prestigious architecture schools in Italy. It has started an intensive summer program of innovative sessions with the intention of facilitating the expressive capacities of its students by putting a consistent amount of space and tools at their disposal. Important architects from all around the world were invited to participate. One of these courses, mandatory to graduate from the School, is about Paolo Soleri and Arcosanti. [right photo] Marco Felici introduces the students to Paolo Soleris LEAN ALTERNATIVE. [left photo: IUAV, right photo: Antonio Fragiacomo & text: Matteo Di Michele] The course has been organized and delivered by Architect Antonio Fragiacomo, Structural Engineer Marco Felici and Cosanti Research Associate Roger Tomalty, with the precious help of Daniela Bruni, Maurizio Ranzi (Roma Tre University), Sandra Suatoni (Istituto Italiano Per La Grafica), Lorenzo Alfieri, Robert Clyde and Arcosanti residents Mary Hoadley and Matteo Di Michele. [Photo: Antonio Fragiacomo & text: Matteo Di Michele]
September 12, 2006 New York Ground Zero Theological Terrorism An old, old story From vol. 7, pg. 112 of Storia D’Italia by Montanelli On the first crusade, year 1099 New York Ground Zero Theological Terrorism An old, old story From vol. 7, pg. 112 of Storia D’Italia by Montanelli On the first crusade, year 1099 There were no more than 12000 crusaders that, in July 1099, after a three-year campaign, got to camp under the walls of Jerusalem. Their emotion in sighting the sacred city changed into surprise when the presiding Muslim garrison declared to be ready for an armistice. That garrison wasn’t Turkish but Arab, because the previous year Jerusalem had been retaken from the Selgiuchi by the Fatimidi, who had never confronted the Franchi. But they didn’t accept the offer, perhaps because they thought a non-violent negotiation would have ruined their triumph. Therefore they demanded unconditional surrender. The defenders, about 1000 men, resisted for 40 days. Then they surrendered. “Then,” a witness present, Raimondo de Agiles, famous for his zeal and his piety said, “one saw marvelous (meravigliose) things. The Muslims were beheaded or killed by harrow or thrown from the towers. Others were tortured for days and days and then torched. The streets were strewn with heads, chopped hands and feet.” Those “marvelous” things lasted until the total consummation of the 70,000 citizens of Jerusalem, including the Jews. They were crowded and burned inside the synagogues. Then the crusaders gathered in the grotto of the Santa Sepolcro that had hosted the remains of Christ, who had come into the world to preach misericordia and there they cried joyfully, finally feeling worthy of him.[Image: Arcosanti Graphics & text: selected by Paolo Soleri] The Secular Cathedral A transnational structure aiming at a (distant) more equitable consumerism. A habitat for remembering, living, working, learning and divertimento. Part of the divertimento is the battery of slides evacuating the cathedral in 20 minutes or so (20,000 people?). The mantle generated by the 40 or so slides defines an umbrella-parasol of about 400 meters diameter covering a multi-story urban life that the citizens of New York would think about and the designer-builder would try to satisfy (the analogy with the Piero della Francesca generous mantle of mother sheltering the flock of her children). The circular pond is the speed breaker for the people evacuating the cathedral from most of its stories. The evacuation is pure gravity effect descent, with no mechanical equipment, no energy use, in fact no need of leg use. It is a very large combination of children’s playground and swimming pool slide, of roller coaster rides and of emergency slides in air passenger planes.[Image: Arcosanti Graphics & text: Paolo Soleri] Time: for instance from floor 30 one can reach a restaurant or a shop on Barclay St., West St., Liberty St., etc. in less than one minute. This is part of the appeal to visitors and employees offered by the multi-level grounds of the cathedral. Magnetic levitation propulsion is suggested for the power driven ascent conveyances. Besides escalators and elevators, gondolas could be propelled on wider slides Functions: the first 4-5 floors are of the “N.Y., N.Y.” format. The typical busybody going about of the Manhattan people. Those floors ring the area and also serve as entrance to the inner-urban celebratory spaces where business, cultural gatherings, concerts, theater let the visitors commingle, enjoy and learn. This is a multi-story inner space under the cover of the slides umbrella-parasol. A simulacra made of some of the structural segments of the towers might be afloat where the two centers of the towers used to be. The remaining floors, 40 to 50, are for the transnational activities in financial, economic, environmental, social equity fields of endeavor.[Image: Arcosanti Graphics & text: Paolo Soleri]
Shine International CEO, Nadine Nohr.Shine International has launched Shine Now, a direct to consumer service that will make a selection of its scripted and entertainment fare available online.Consumers access the content via the Roku streaming platform. It is initially available in the US and the programming is either advertising supported and free of charge or priced between US$0.99 (€0.73) and US$1.99 and advertising free.Shine has launched Shine Now with 200 hours of programming from its catalogue. Titles include The School, Got to Dance, The Magicians, Eternal Law and The Sandhamn Murders.Nadine Nohr, CEO, Shine International said: “Shine Now is our first direct to consumer channel and Roku have been fantastic partners with whom to develop and launch it. We are excited about its potential and look forward to collaborating with them further to grow its reach in the future.”Shine told DTVE sister title TBI that it is focussed on rolling out the D2C service on the Roku service and not, for the time being, on other streaming services.Shine digital consultant Gordon Synn brokered the deal with Roku. He is set to leave the company following the hire of Kerry Ball, who is taking over digital business development efforts.In 2012, another large distributor, All3Media International, sought to go straight to the consumer with a pay-per-view service launched via a dedicated app on Samsung and LG connected TVs. It also launched Easel TV last year, an over-the-top service containing about 350 hours of its programming.